Gold and Grey Seduction This piece started as a standalone. I was exploring how restraint—just a few elements—can carry real weight. The textured greys and soft whites felt cool and quiet, so I brought in that warm gold to break the surface a little. Just enough contrast to create a kind of tension—and a sense of movement that pulled the whole composition together.
Later, I realized it could work as part of a pair. Whether you display it solo or with its companion, the piece can be rotated, flipped, or repositioned depending on your mood or the layout of your space. It’s subtle, but there’s movement beneath the stillness.
